After two weeks with the Lytro camera,
I still can’t decide if it’s a highly refined proof-of-concept or an
uneven look at the future of photography. It’s simultaneously addictive
and frustrating. It’s also, as advertised, a truly unique photographic
experience.
If you missed the hype
surrounding the announcement of Lytro’s light-field camera last year,
the short explanation is that it allows you to focus your photos after
you’ve taken them.
That’s the addictive part. No Lytro photo is ever finished. You can
continually readjust an image to focus on the foreground, middle, or
background merely by clicking around the image. This also means it’s
nearly impossible to take an out-of-focus picture. Just aim and shoot,
then focus later.
Lytro calls these “living pictures,” and all the data that powers
this re-focusing trick travels with each square-cropped image. Post a
Lytro photo (using the company’s custom Flash widget) on your blog, on
Facebook or on Twitter, and your friends and followers can refocus the
picture in their browsers without downloading any special software. It’s
like a choose-your-own-ending Instagram.
At the core of the Lytro camera are the light-field sensor (hardware)
and light-field engine (the software). The sensor, which looks like a
flat, square fly’s eye, enables the camera to capture all the light
traveling in every direction in a scene, rather than just the rays aimed
directly at the lens. Think of all the light you see through a typical
viewfinder as a rectangular cube. A conventional photo focuses on one
plane of that cube. A light-field image captures the whole thing.
Instead of megapixels, Lytro measures the sensor’s power in terms of how
many millions of rays of light it captures — in this case, 11 million,
or 11 megarays.
As I said, playing around with these images is addictive. But the
camera suffers from design and usability issues. It’s a first-generation
piece of hardware that has to solve problems no one has ever faced
before. So, as would be expected, there are some kinks. The
touch-sensitive zoom is too sensitive, and the 1.5-inch touchscreen
feels too small and unresponsive. Also, while the always- in-focus
nature of the camera does simplify one aspect of photography, taking a
compelling light-field image requires more time and compositional
forethought than normal point-and-shoot snapping. There’s a learning
curve here that Lytro’s hardware design doesn’t really help.
Read more http://www.wired.com/
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